Hello my lovelies!
How are you? I’m so glad that you found time for coffee with me for this week’s Weekend Coffee Share! Come in, come in, what can I get you? I’ve just made coffee but I can also put the kettle on.
It’s a nice day out but a bit chillier than it was, so while the windows are open and letting the fresh spring air in, I think it’d be too cold to actually sit outside on the patio today – unless you want to wrap up in blankets, then I’m all for it!
If we were having coffee today, you’d notice I’m a bit giddy. Well, a few minor but good things happened this week and I’m excited.
Continue reading If We Were Having Coffee… On April 2
Read as part of my 60 Books Challenge: A sci-fi novel.
Doctor Who – The Angel’s Kiss was written by Justin Richards, but – to tie in with the show – Melody Malone was named as author.
Contrary to popular belief, this is NOT the same book as the one River Song reads from in the episode The Angels Take Manhattan.
The story follows Melody Malone, private detective. She gets a visit from a film star called Rock Railton, who believes he is to be killed. Melody gets on the case after he mentions “the kiss of an angel,” and puts herself in danger during her investigations.
Even though this is a Doctor Who tie-in story, the Doctor does not feature in this story. This is one of Melody’s cases, told from Melody’s point of view.
It’s a nice enough story, and the audiobook version read by Alex Kingston – who plays River Song aka Melody Malone on the show – is very intriguing. Alex Kingston uses her sultry River Song voice with a bit of an American twang – the story is set in the US after all – and it fits very well with that old-time Hollywood period and charm the story is based in. That being said, this is NOT a story featuring River Song – this story is all about Melody Malone, the female no-nonsense private detective with killer heels and drop-dead gorgeous red lipstick.
It’s a cool detective story as a standalone. It’s got girl power, 1930’s charm, and a supernatural mystery (the only thing that really ties it in to the show). Unfortunately though, the supposedly bad-ass protagonist is limited by 1930’s gender roles and perceptions. It’s a good story, but could have been better.