How are you? Come on in for a quick cuppa in today’s Weekend Coffee Share!
If we were having coffee today, I’d preface this by saying I’m essentially locked in my flat to avoid distraction for the next two weeks as I have deadlines looming and need to get stuff done.
I’d also tell you that my Sherlock fanfic The Bravery of the Soldier is currently in 22nd Place in the Inkitt Fandom Writing Contest!! It’s the first contest I’ve entered as a writer, and to be 22nd out of more than 1,000 entries is making me all kinds of giddy.
Voting ends on October 21, so if you haven’t already, please head over to Inkitt via this link, click on the heart to like my story and tell others to do the same! 39 of you already did, and I know that I will not get the 200+ votes needed to reach the top, but Top 15 would be awesome!
Simon Godwin’s production of The Beaux’ Stratagem brings new life into the town of Lichfield in the year 1707.
One night, Aimwell (Samuel Barnett) and Archer (Geoffrey Streatfeild), brothers and “gentlemen of broken fortune” appear at the doors of the inn in Lichfield. In the guise of master and servant, they claim that Aimwell is an aristocrat looking for a wife worthy of his status. Their plan to get rich quickly is to find wealthy heiresses, steal the money and get out of town before anyone sees them.
In Lichfield, they’ve set their sights on charming Dorinda (Pippa Bennett-Warner), who seems to fall for their spiel falls in love with Aimwell. Her unhappy-in-love sister-in-law Mrs. Sullen (Susannah Fielding) is smitten by Archer’s charms.
Fielding gives a frank but heartfelt performance, advocating divorce during a time when this was still a social stigma. Written by George Farquhar in 1707, The Beaux’ Stratagem touches on social aspects that are still relevant today. The play is broken up with songs and dances, ranging from merry to silly, all accompanied by live musicians on stage.
The Beaux’ Stratagem makes for a merry night, and proves to be a charming and funny Restoration romp.
The tag-line for Patrick Marber’s Three Days In The Country looks so simple: Summer Love. But the play, which is a shorter version of Ivan SergeyevitchTurgenev’s A Month In the Country and currently playing at the National Theatre (Lyttelton Theatre), is so much more than a simple romance.
Set on a Russian country estate, in the mid-nineteenth century, this play explores love and lust in all its forms from unrequited to forbidden, and finds comedy in everyday life.